Channing Tatum’s a delight — fleet-footed dancer, lovably lunkheaded actor, and crooner of the occasional showtune, he’s got more of a claim to the title of America’s sweetheart than just about anybody. But while I may love Channing Tatum, and you may love Channing Tatum, he’s got one critic he just can’t seem to win over: his four-year-old daughter Everly.
While my Twitter mentions and my inbox’s spam folder have made it abundantly clear that video game enthusiasts do not like movie critics, by and large, they do like movies. The video gaming site Machinima (itself a property of Warner Bros., which is worth knowing) recently conducted a survey that indicates as much, polling gamers about their moviegoing habits and preferences. And while the gaming community remains on constant watch for the twin scourges of studio-sponsored bribery and bias among critics, they have not allowed them to dampen their enjoyment of a night out at the cineplex.
Ahh, post-production, that magical time when a director can use computers and good old-fashioned ingenuity to fix the hundred little things that went wrong while shooting. Flubbed lines can be re-recorded and spliced in, flawed shots can be surgically removed, and inconsistencies in continuity can be digitally erased from the frame. That last one has become something of a major concern for the Justice League production as it winds down, because the process of reshooting has dealt director Joss Whedon one hairy, noticeable continuity error.
Our children won’t believe us when we tell them that there used to be doubt over whether a female-fronted superhero movie would work at the box office. Even at present, the days of studio executive hand-wringing over whether audiences would deign to shell out their precious $11.75 to see a film in which a woman — who was not a man — did superhero things feel favorably remote. For director Patty Jenkins and her marble-carved star Gal Gadot have proven beyond all debate and rage-choked internet commenting that women are perfectly capable of making a whole mess of money during blockbuster season. And now it’s official.
“James Franco doing a movie about the creation of legendary disasterpiece The Room” was a tantalizing prospect when first announced, either a brilliant turn for his career-spanning preoccupation with artifice in showbiz or another insufferable bout of navel-gazing. The first trailer for the comedy due December 1 (before going wide on December 8) isn’t really either, landing somewhere closer to Hail, Caesar! in its farcical send-up of filmmaking frustration. 2017 has gotten its “Would that it t’were so simple,” now say it with me: “I did not hit her, it’s not true, it’s bullsh*t, I did not hit her, I did not. Oh hi, Mark.”
It may be hard to believe now, but there was once a time when studios would wait until a release had proven itself at the box-office before investing in a massive franchise around it. But the likes of DC, Marvel, and the future firee at Universal who came up with the Dark Universe boondoggle have now set a standard of placing the cart before the horse, and other studios cannot help but follow suit. Fox is the latest showbiz entity to go all-in on an untested concept, banking that the respectable profits generated by that Goosebumps movie from 2015 that you’ve already forgotten about shall be a bellwether for future riches.
When someone says someone else fights like a girl, it’s intended as a diss with a nice dollop of misogyny on top. But the next time some jerk comes at you wth that nonsense, you can turn it into a compliment by yelling, “Oh yeah, well Charlize Theron does all her own stunts and could snap your spine in half like a pretzel rod, so there!” and run away weeping. In the light of a new behind-the-scenes video from the Atomic Blonde production, it is the ultimate comeback. For Charlize Theron does indeed fight like the girl (er, woman) she is, and that’s one hell of a way to fight.
The upcoming Lion King will bear only a slight resemblance to the Disney animated classic families know and love. As with director Jon Favreau’s earlier rework of The Jungle Book, this film will shoot in live-action (a questionable term when all of the main characters are computer-generated imaged, but whatever) and eschew the musical numbers of the original film. A new casting notice has apprised us of yet another change to the fabric of the film, specifically that Simba’s toucan pal Zazu will now spend the film pointing emphatically to graphics in the upper-left-hand corner of the screen and screaming at fictitious office coworker Janice in Accounting.
Ryan Gosling is about to play himself. (In the DJ Khaled sense, not the Being John Malkovich sense.) The actor’s been on something of a roll recently, scoring critical plaudits for The Nice Guys and La La Land last year — the latter of which ended up a surprise blockbuster and less-surprise Oscar hoarder — and continuing on into 2017 with this past spring’s Song to Song. He’s got Blade Runner 2049 on the docket for this fall, a likely smash that may earn him admiration among nerd circles, the last niche demographic he has not yet charmed. But with the world at his feet, Gosling’s now making moves to dash all the goodwill he’s recently built up.
The world approaches a great cataclysm in the latest trailer for the upcoming adaptation of Stephen King’s fantasy novel The Dark Tower, but the specific nature of that cosmic upheaval, I know not what. Not having read the source novel, I’ve decided to go into the film cold when it premieres on August 4, and so far, I’ve done a pretty solid job of keeping myself unsullied by plot revelations. The new international trailer does me a favor, too, by playing all of its details of plot close to the vest. There’s a whole lot of ominous talking, stars Idris Elba and Matthew McConaughey appear to have some manner of beef that could decide the fate of the known universe, but beyond that, I’m in the dark (tower).
It appears that you already have an account created within our VIP network of sites on .
To keep your personal information safe, we need to verify that it's really you.
To activate your account, please confirm your password.
When you have confirmed your password, you will be able to log in through Facebook on both sites.
*Please note that your prizes and activities will not be shared between programs within our VIP network.
Welcome back to My94.7 VIP
It appears that you already have an account on this site associated with . To connect your existing account just click on the account activation button below. You will maintain your existing VIP profile. After you do this, you will be able to always log in to http://my947.com using your original account information.